Showing posts with label voice. Show all posts
Showing posts with label voice. Show all posts

Wednesday, September 3, 2025

my year with the women



We Are All Alike, Eleanor Lowden.




Dear Books,

It's been about a year now, that I have been keeping track of the books I have read; in conjunction with a commitment to reading women authors.  I also include non-white writers (any gender), and trans or non-binary authors, but my favorites are from women like me*, writing about what it feels like to inhabit their bodies.

It isn't a total ban, either, I read some white men now and then; and, as I go along filling my head with predominately women's voices, or perhaps I should say: non male writers? I notice, I notice it hard, when I read one of these menwrit books that is trying to build a great castle, an empire, with words- all about their sex organs and oozing what have yous.  I know you think I am exaggerating, but try it- try 5 books in a row by women, and then pick up one of these men and see if you ken what I am getting at.

It's not that all the women (plus) are the same style/type of writing, and it isn't that I could pick them out in a blind taste test, it's something kind of small and ineffable.  Many women write in ways that have a very Male Voice, and some men write in a genderless way, too.  If I had to distill it all to one single difference, it might be a question mark.  The lack of definiteness, not authority or confidence, but a kind of inherent acknowledgement that the view is multiple, and this line, this sentence, can only be a snapshot.  Or, maybe the question mark is the sense of searching.  One thing, though, even if I cannot define it, it is there.

It's also not that I don't love, love a word castle, built out of strange and wonderous similes and inhabited by lonely princes of darkness and light.  No, I love that kind of thing, I really do.  I think what I am trying to tell you, is that I was surprised to find a such a definite feeling of difference.  

For the counters and statisticians, it has been 64 books by female and female-identifying writers, and 14 by men in 49 weeks- and that makes 88, and well, if I had counted sooner I'd have seen what a silly thing it was to start this calendar year off with a plan to try to read 50 books!  Oh, and I am not done with the women, not at all!  Check out this list of writers on my shelf still to be read:

Clarice Lispector

Han King

Lillian Hellman

Jenny Ditski

Dianna Athill

Maeve Brennan

Alice Munro

Lillian Faderman

Sara Ahmed

Eudora Welty

Donna Haraway

Eileen Chang

Jen Hatmaker

Samantha Harvey

Kathleen Hanna

Kate Zambreno

Ágota Kristóf

Saidiya Hartman

Tove Ditlevsen

Lydia Lunch

Kate Manne  

Barbara Comyns

Cristina Campo

Willa Cather

Janet Frame

Isabel Allende

Fleur Jaeggy

Inger Christensen

Esther Kinsky

Ellen Meloy

Eileen Chang

Agnes Smedley

Cookie Mueller

Claire Messud

Susana Kayson

Shirley Jackson

Margaret Drabble

Jean Rhys

Angela Carter

Anaïs Nin


If you are still wondering why anyone would read like this, well, let me put it this way:  These are my sisters, and they have millions of pages of wisdom to give me!  Who the hell am I to refuse such a gift?  




*  Like me, in this case, means a woman who writes.  It's also extra dear to my heart and enlivening when the women authors are within ten years or so of my age.




PS  If you want to hear a few favorites, well; The Price of Salt, The Quest for Christa T., What Kingdom, Astragal, To Throw Away Unopened, The Last Samurai, The Lady with the Little Fox Fur, The Old Child, All Passion Spent, Checkout 19, The Lover, Small Things Like These, and here is one old dead white guy for you:  A Room with a View.




Tuesday, October 1, 2024

voice & notice

 




Buzzard, from Dog Ear series, Erica Baum, 2016.






Dear Reader,

Why, or how, are there voices in written words?  I was reading an article, and I recognized the voice, or maybe style?  It's not the one I hear in my head, it's not just the sound of my own lips moving.  I was taught to read silently, and not to move my head across the page- why the fuck, anyway, I wonder?

I am moving my lips like mad these days, and yes, I am pretty sure it is The Texbook Indication of The Right On Time Signs Of Dementia*, but what matters now is that I even catch myself making sounds- I have been a talk to myselfer for as long as I can remember... and when my brain talks to me, it says things like:  get a horse.

So, what gives a series of words, a sentence, a particular voice?  And another thing, I know you don't need me to tell you what the genius of a song is; I know you have noticed it too; so why tell you?  I guess because the verb to notice, the word notice as verb is a kind of affirmation;  I sometimes worry I won't get it all noticed in time.  In time, you know, to die.  It's a kind of weird and personal form of reverence, but for me, just noting it isn't as good as writing it, too, and what about the voice of that written noticing?  I wonder.





*  The Signs of Dementia is a pretty good band name!  "SoD" printed on the bass drum!