Showing posts with label The Streets of Laredo. Show all posts
Showing posts with label The Streets of Laredo. Show all posts

Thursday, January 18, 2024

roses to deaden the clods as they fall

 







Dear All,

I have seen some things these first few weeks of the new year;  it starts to form an image, a collage, a map?  Well, how we use it is maybe not all that important.  

Last year was the year of Take it All Away; and yes, there is still plenty to haul off, but it was a start, ending with speaking aloud the ugly shadow side of caring deeply, passionately for objects: beings often come second.  It happens slowly, I think.  The objects are so patient, so good, so reflective of our wishes, our selves.  They would never misbehave, they would never talk too much, or say the wrong thing, they are never too loud, their innocence is pure, their value is limitless, as long as we keep beings from damaging them, questioning them, toppling them.  Having them adds to our greatness, increasing our mass.

But back to this very tiny, very small, nearly formless object, that you can keep in your back pocket or say unto the winds, this collage of the present:

A beautiful copy of The Rings of Saturn on the table in the sunlight at a woman's home.  A blue filled with grey tree branches that climb the sky.  A greening under the old washed, worn stubble.  An ice sheet on the birdbath.  Pages that describe Sido, and the daughter, Colette.  Near perfect shortbread fingers.  Ruby Tandoh on Cadbury eggs.  Chicken leg confit, because duck is so dear.  Waves, both blue and brown.  A pelisse, whatever it might be, because I have forgotten it already.  Like the phrase for this year:  A concourse of events?  No; an accordance of occasions?  A surcease of importance?  A confluence of  concerns?  I look it up, again and again:

The year of the "acausal connecting principle."  Something Carl Jung wrote, and I read somewhere in the recent flurries of pages; maybe the book on Los Angeles architecture?  Inciting Joy?  Not the book about the Shaker boy and his pig, not Carrie Fisher... well, that connection is gone too, but connections are like that; here today, gone the next.  I still want them, if only to deaden the clods as they fall.



It's the all of a piece, you know?  The reading, the writing, the voices, the thinking, the seeing, the making, the wondering, the glimpsing, the listening, the stitching, the drawing, the remembering.  They all go together, joined for a time by the temporary glue of the acausal connecting principle.





Friday, September 25, 2015

Nights Out On TheTrail











Dear Strummers,

Do you know that I have three perfect songs for your trail rides?  For your camp fires?  For the back of your Ford Econoline?  For your front porch couch?  I learned The Streets of Laredo when I was but a youth, and I thought it was the perfect cowboy song for me- In beautiful Western waltz time, I really never thought I could fall for another.  I know you can guess that I must have-  when I kludged my way through Long Black Veil, it displaced The Streets, and the mournful lover crying o'er bones was my new slightly morbid lament of choice.  Well, yes, what can happen once will happen again, and presently, I am all over Ghost Riders in the Sky

You, dear reader, are the lucky one, because I give you all three at once, and the beauty of this, is that now you can be watching, and waiting, and listening, for the fourth song to add to these fantastic three.

See y'all out on the trail, maybe on the night of the big ol' Super Blood Moon?






PS 
It all really started with Old Paint- before I even touched a guitar.  Which, on second thought, is probably still my favorite.  Play all four, and order them as you like.  Oh, and a little trivia for you-  Ford Econoline is a song that Nanci Griffith wrote about Rosalie Sorrels and Kate Wolf, and if you don't know Rosalie, well, you know what to do, Way Out in Idaho.  Oh, yes, and what about Kate?