Showing posts with label poem. Show all posts
Showing posts with label poem. Show all posts

Tuesday, May 7, 2024

egg carton














Dear Imaginative,

Pretend you have an egg carton and you want to put just one really good thing into each little cup.  What goes in? 

a heart shaped rock

a little ball of pink yarn

a piece of chocolate

a recipe, folded up

a leaf

a beaded ring

a pop top

a twist of seeds

a marble

a white owl's feather

a shell

& one 
more 
thing.

















Tuesday, April 30, 2024

a million

 




Untitled (Tools), Jim Dine, lithograph, 2008.






Dear Opposable Thumbs,

There is a large stack of books where I work; it's all detritus, really, and it doesn't belong to anyone, so even the spines don't get a glance.  The world would be a better place if some of them were never looked at, but a few of them could be useful to raise up a too low television set, or to chock up a short leg on a table.  Thinking larger now, perhaps combined into a solid stack of 'how to' art books, maybe painted, in say palest pink?  Illustrated on the outside with delicate red handwriting and gentle blossoms?  

Well, you know when someone says to me, "good idea," I always respond "I have a million of them!"  And you do too, which puts me in mind of a little spontaneous poem a fellow* sent me in an email.  You know how messages and letters can generate these kinds of things- a person says this, another replies that, all that thoughtful responding suddenly leaps, jumps beyond quotidian communication and becomes a gleaming poem:


Tools for the soul, or is it, a soul full of tools?
Always measuring, always fixing.  








*Thank you, D. Prochaska, for the poem!










Thursday, November 30, 2023

Tint, and roses and falling (and he fell).

 








Dear Inchoate,

Sharp definition shadows, above the valley's bowl of fog.  I catch my breath each time, then descend into the shadowless mist, the damp, under the quiet wholeness.


I have words.
I crossed out the hard, sharp poem.

The poem, the words, the story, of being, of Cleopatra, of waiting,
in museums, behind large urns, waiting to trap you.  To consume you.  To destroy you.

There was an exhilarating rush of sliding down sheet ice- it was fun, while it lasted.  But,
at the bottom of the mountain, after all the speed and the money was gone; I did not rail any longer.
I did not care to eat you up.
I did not need to hear these things.

I went home; drew a field of flowers.




Monday, November 13, 2023

what is it made of?

 










Dear Everyone Occupying Space at This Moment,

Are objects made of poetry?  Without doubt.  What else is inside a thing?  What other potentiality could there be?  What would there be that will not rust, combust, or decompose?  If you counter they are made of atoms, I say; there is your proof!  Little things we cannot see, tiny theoretical impulses are poetry itself!

Here is a poem on some small, un-identified cut brass chips that came to me.




You gave me tiny shiny squares of golden light.
I sent you back a sewn order of gold.
I had to cheat, too, with glue, but I'll never tell.

And they were so crooked and poorly aligned; Agnes Martin
would have died again, even as I thought of her when I arranged them in their

sloppy, 
messy, 
that's life grid.






Thursday, August 31, 2023

In a sing-song voice.

 





In a sing-song voice (like this),
she told of the sky (which is not heaven),
with long pauses, which she imagined
filled with the sound of many accordions (like this);
And of the molten center (which is not hell)
and how it felt to be floating (like this)
between.

And she told of the love songs she used to hear (like this);
all about loss and longing, and she told of the songs
she hears now (like this).  The songs of
mixed emotions, of murky unknowing, and she said,
in a sing-song voice (like this)
that love is 
not blind,
not cruel,
not all,
not smoke;
it is floating between.




Wednesday, December 28, 2022

disfrutar

 



Oyster bed.


 



Dear Curious Oysters,

Have you wondered, long, hard, and deep into the night just how the Dodo is made?  Where do these notions come from, and how are these serendipitous snippets assembled?  

Well, I'll tell you: one thing leads to another.

Here is what an early draft or rather, sketch, of a Dodo post looks like:


Tuesday, September 27, 2022

the land tide

 









Dear Poet,

I thought I'd write you a poem about the land tide.  It'd go a little something like this:


How would it feel, to go so slow,                 

snail slow, superslow enough

to feel the land tide?  To feel the few inches

that the earth lunges towards, leans towards, the moon.

 

Leaning and lunging with the land tide,

you'd feel your own blood rising up

with it, tingling the top of your head,

you might jump up, at the peak of the land tide, and you'd go a little higher,

leaping imperceptibly further.





Saturday, September 24, 2022

Poetry weekend!

 






Dear Weekend,

I've been reading all about reading poetry all aloud, and I am all for it.  Try this great, and hitherto unknown to me, poem by Anne Waldman, Uh-Oh Plutonium.  

Tomorrow, another fine poem!  Stay tuned!



Thursday, February 24, 2022

I was.

 








Dear Writers,

I was sorting through some papers, and found "I Was."  It's a little poem, and I am putting it here, for you, if you want it.  



I was.

I was going
To tell you
About how it is here, where I live.

About the beauty of it all.  
The branches, the breeze,
Even the chrome and the people;

But a man was walking 
Across the road and 
His shirt said, his chest read, in big, block letters:
BECAUSE I SAID SO.





Monday, February 21, 2022

Shall we?









H. T. Webster's Caspar Milquetoast.




Dear Ones,

Here is a picture of my mind at this moment:  

Swirling, like smoke or music, is this refrain: 

the silver apples of the moon,

the golden apples of the sun

the silver apples of the moon,

the golden apples of the sun.

Also, in a corner, is M F K Fisher, and she is saying:

"milk toast" and "love apples."

Then also there is very heavy pale green drapery, and a smell of dried roses.  There is also a chattery group of mice, that are saying things in very high, very squeaky voices; saying things like this:

Don't forget!  Don't forget!  Make cookies!  Make cookies!  Call your Mom, call your Mom!  And, get those little scraps of poetry gathered up!

All of this, just to ask you if you think we ought to try, after hearing it used as a derogation* for 50 years, to actually make Milk Toast?  I think I will try it, but first I will have to get some milk, because there isn't any, so that means it will be huevos rancheros for dinner instead, but my day of Milk Toast for supper will come.  And, I think I will get the cookies made, too.



Huevos Rancheros

It's a no-recipe recipe, which as you know, is very now, very of the moment.  Pour a little oil in a sauce pan with a lid.  Heat it to low.  Pour about 1/2 inch or so of red (or green!) salsa, or enchilada sauce into the pan, crack eggs into it, spacing them a few inches apart.  Cover the eggs with some cheese- jack is nice, so is fontina.  Something mild and melty.  Put the lid on the pan and let the eggs poach in the salsa.  When the eggs are opaque, it is done, and you may serve it with tortillas or refried beans or both.  Sour cream is nice, too, if you have it on hand.


Tartine's Shortbread Cookies.






* Milquetoast.





Yeats.





Thursday, September 2, 2021

The word.

 




Letterpress print by artist Sam Winston.





Dear Letters,

Are you busy forming words today?  Making concrete poetry, I hope?  Here is your song for today, and please also enjoy this example of concrete poetry, titled, Fingers Remember, by poet Marilyn Nelson.



       Long     fing-     ers,       how
       signals   flow      up         them
        from      tip       and       finger-
         print      all       the           way
          up         the      arm        and
          the       neck     to          what
          ever     magic   light       takes
          flame   so       touch      ignites
          as the   palm    smooths    warm
         from one person to another, passes
         sunlight one skin has taken in, which
          the other receives like thirsty soil gulps
          rain and infinite generations of ancestors
           yawn awake asking if it’s time for the line
to         miracle up a new life. They were so young,
and     innocence is a birth gift intended all along
to be    opened with love, promises, and blessing
as you enter the future that only exists if you live
into it. His name was John. His moving muscles
 formed shapes she had not met before. Green
  time laid its fragranced landscape before them.
   So they entered. Married. Irene came soon.
   At eighteen, Gussie was widowed, with a
    toddler older than her youngest siblings.
     The family’s hand opened and closed
       in welcome. But fingers remember.

Source: Poetry (December 2019)





Friday, June 11, 2021

Deadline & Dandelion: A poem.

 



Deadline & Dandelion




I was looking for direction, an answer: a word; it began with d.

Discussion, downturn, diffident.

700 thousand silver marks?
A room, papered in maps?
A suitcase, with words on it?

I packed the case, began the journey and arrived at the snow;
an avalanche.
I retreated; 
walked back through the seasons, the fall, the summer, the spring.  
Time is not a spiral after all; it is a pendulum swinging into 
winter over and over.

Deaden, dredged, double-dip.

I painted on my suitcase large words of resistance:
Desolation,
decenter,
defenestration,
deluge.


 

 


 

 

Friday, April 16, 2021

A connected thought.

 




Dear Reader,

Several months ago, there was this post, and a response to that writing came a few weeks later; a poem by K. C. Trommer, titled The Couple.  Now, after a long time, I send it to you, too.  It's a fine poem, and I hope you enjoy it.  Long may we continue our conversations about love & care!











Thursday, March 11, 2021

More posts about poems and phones.

 







Dear Telephoned,

I have been thinking of you, and station wagons, Mr. Pibb soda, drive through hamburger joints, and the radio.  I wonder what these images and memories mean?  They might mean I am old, and they might mean I am nostalgic.  They might also mean that time telescopes in and out every minute of every day.

Here is a poem:


[Sonnet] You jerk you didn't call me up

You jerk you didn't call me up
I haven't seen you in so long
You probably have a fucking tan
& besides that instead of making love tonight
You're drinking your parents to the airport
I'm through with you bourgeois boys
All you ever do is go back to ancestral comforts
Only money can get—even Catullus was rich but

Nowadays you guys settle for a couch
By a soporific color cable t.v. set
Instead of any arc of love, no wonder
The G.I. Joe team blows it every other time

Wake up! It's the middle of the night
You can either make love or die at the hands of the Cobra Commander


_________________

To make love, turn to page 121.
To die, turn to page 172.

"[Sonnet] You jerk you didn't call me up" by Bernadette Mayer, from A Bernadette Mayer Reader. Copyright © 1968 by Bernadette Mayer. Used by permission of New Directions Publishing Corp.

And here is a song that goes with it.

And here is another.


That's all!





Wednesday, October 28, 2020

Did you hear?

 











Dear Delight-Seekers,

Today I have a delight for all my fellow sound art enthusiasts and pipe organ fans!   It should also appeal to candle lovers and John Cage groupies.  Which actually makes me think of something I might want to make: a fan club t-shirt for John Cage.  To make it right, to make it authentic, we must subject it to an action and a period of time.  By it, I mean the shirt.  Here are three sample actions a t-shirt could endure:

car drives over

tossed out window

mop up pale blue paint spilt by a kick at 8:15 pm


If you have just no idea who the hell this guy is anyway, you must, you must investigate John Cage.  He is a person who will fill you with pride in that you share a place as a human with such a mind as his.

Try a poem.

Try a print.

Try a piece.





Bonus Track:  Water Walk again.  Watching Katelyn King perform it is a double delight, because we can compare all the delicious details.  Also, if you want to hear more Cage, try this place.





Tuesday, September 8, 2020

poem, print

 






Woodcut print by Bryan Nash Gill.





Dear Ones,

I bought a case, to put my odd objects into, because I felt sad that they were in boxes, and if I am not making these things for me, then who?  As an audience of one, I wanted these things presented in a vitrine, and so they are going into a cabinet.  However, some things are not going to be kept any longer.  

A shoebox of leaf skeletons, although it might be the best thing I own, will be documented and then, tossed onto the wind.  Photographing these things will have to suffice.

Also, a chocolate box filled with fabric snips.  A box of rocks.  Many boxes of shells, coral.  A stack of stamps cut from the RSVP's of my wedding invitations.  A box of conkers.  Seeds and pods.  Winged leaves.  Stems of dried bulbs.

These are the collections that are going, many more are staying: the birds' nests, more boxes of rocks.  Cut scraps of yarn.

All of this saving seems to be what gives me meaning, and that brings me to poem, which I think you should save, in a box, in a collection of poems that bring you meaning.



Tree Rings

There's no choice
near the end
but to curl in
on yourself.

That's all that
remains, but for
that around
which you curl.

- Todd Young.







Saturday, July 25, 2020

Écoute bien.








Dear Poetry-Lovers,

This wonderful poem comes to me from the far and wide ranging tentacles of the Dodo correspondents.  To think that I have been bumbling along in the dark without this lovely poem for so long gives me a twinge of regret.  However, we have committed ourselves to looking forward, and so on we go with this Jacques Prévert poem in hand; the original French follows the Ferlinghetti translation.





To Paint the Portrait of a Bird

                                                       To Elsa Enriquez

First paint a cage
with an open door
then paint
something pretty
something simple
something beautiful
something useful
for the bird
then place the canvas against a tree
in a garden
in a wood
or in a forest
hide behind the tree
without speaking
without moving...
Sometimes the bird comes quickly
but he can just as well spend long years
before deciding
Don't get discouraged
wait
wait years if necessary
the swiftness or slowness of the coming
of the bird having no rapport
with the success of the picture
When the bird comes
if he comes
observe the most profound silence
wait till the bird enters the cage
and when he has entered
gently close the door with a brush
then
paint out all the bars one by one
taking care not to touch any of the feathers of the bird
Then paint the portrait of the tree
choosing the most beautiful of its branches
for the bird
paint also the green foliage and the wind's freshness
the dust of the sun
and the noise of insects in the summer heat
and then wait for the bird to decide to sing
If the bird doesn't sing
it's a bad sign
a sign that the painting is bad
but if he sings it's a good sign
a sign that you can sign
so then so very gently you pull out
one of the feathers of the bird
and you write your name in a corner of the picture.

(translated by Lawrence Ferlinghetti)

 From Paroles, by Jacques Prévert


Pour Faire Le Portrait D'un Oiseau

                                                               A Elsa Henriquez

Peindre d'abord une cage
avec une porte ouverte
peindre ensuite
quelque chose de joli
quelque chose de simple
quelque chose de beau
quelque chose d'utile
pour l'oiseau
placer ensuite la toile contre un arbre
dans un jardin
dans un bois
ou dans une forêt
se cacher derrière l'arbre
sans rien dire
sans bouger...
Parfois l'oiseau arrive vite
mais il peut aussi bien mettre de longues années
avant de se décider
Ne pas se décourager
attendre
attendre s'il le faut pendant des années
la vitesse ou la lenteur de l'arrivée de l'oiseau
n'ayant aucun rapport
avec la réussite du tableau
Quand l'oiseau arrive
s'il arrive
observer le plus profond silence
attendre que l'oiseau entre dans la cage
et quand il est entré
fermer doucement la porte avec le pinceau
puis
effacer un à un tous les barreaux
en ayant soin de ne toucher aucune des plumes de l'oiseau
Faire ensuite le portrait de l'arbre
en choisissant la plus belle de ses branches
pour l'oiseau
peindre aussi le vert feuillage et la fraîcheur du vent
la poussière du soleil
et le bruit des bêtes de l'herbe dans la chaleur de l'été
et puis attendre que l'oiseau se décide à chanter
Si l'oiseau ne chante pas
c'est mauvais signe
Signe que le tableau est mauvais
mais s'il chante c'est bon signe
signe que vous pouvez signer
Alors vous arrachez tout doucement
une des plumes de l'oiseau
et vous écrivez votre nom dans un coin du tableau.


 



If all this puts you in the mood for French, try this Serge Gainsbourg song to Jacques Prévert.












Saturday, June 20, 2020

Midway




 








Dear Summer,

Today I send you a photograph and a poem.  It's the middle of the year, and the longest day to enjoy the season.






Stacking the Straw
-Amy Clampitt

In those days the oatfields'
fenced-in vats of running platinum,
the yellower alloy of wheat and barley,
whose end, however gorgeous all that trammeled
rippling in the wind, came down
to toaster-fodder, cereal
as a commodity, were a rebuke
to permanence – to bronze or any metal
less utilitarian than the barbed braids
that marked off a farmer's property,
or the stoked dinosaur of a steam engine
that made its rounds from farm to farm,
after the grain was cut and bundled,
and powered the machine that did the threshing.

Strawstacks' beveled loaves, a shape
that's now extinct, in those days were
the nearest thing the region had
to monumental sculpture. While hayracks
and wagons came and went, delivering bundles,
carting the winnowed ore off to the granary,

a lone man with a pitchfork stood aloft
beside the hot mouth of the blower,
building about himself, forkful
by delicately maneuvered forkful,
a kind of mountain, the golden
stuff of mulch, bedding for animals.
I always thought of him with awe –
a craftsman whose evolving altitude
gave him the aura of a hero. He'd come down
from the summit of the season's effort
black with the baser residues of that
discarded gold. Saint Thomas of Aquino
also came down from the summit
of a lifetime's effort, and declared
that everything he'd ever done was straw.




 











Friday, February 21, 2020

not sorry socks





He told
me not
to say

"I'm sorry."

Women whispered to me:
he hates women
who say

"I'm sorry."

The obvious thing here is that I hate men who hate women who say
"I'm sorry."

But now is not the time for that.

Now
is the time
for how could I be not sorry?

If I wore, on my ankles, the socks I saw
last night in a shop
that said
"Not Sorry" on them,
if I wore them every day,
if I slept in them,
if I never took them off, and
every time I took a step I thought and read: not sorry, not sorry, not sorry, stepping out a
sorryless cadence all the livelong day,
would I be less sorry?

Because I am sorry, really sorry.
I am sorry I interrupted you,
I am sorry I was jealous,
sorry that I didn't listen.
sorry that I missed the boat,
sorry that I was too fearful,
sorry that I hurt you,
sorry that I only thought of myself,
sorry that I ignored you,
sorry I stopped talking to you,
sorry I didn't love you,
sorry I couldn't understand you
sorry that people suffer &
die.

I am not not sorry at all, and
if you think
that you can take the sorry from the girl,
and absolve yourself,
you are very wrong, mister,
and I am not
sorry
to inform you.




Thursday, August 22, 2019

Ojos derrotados.

 
 
 
 
 
 
 






Dear Shipwrecked,

A poem today, by Pablo Neruda.  Aquí en inglés.







LXVIII                                                             (Mascarón de Proa)


La niña de madera no llegó caminando:
allí de pronto estuvo sentada en los ladrillos,
viejas flores del mar cubrían su cabeza,
su mirada tenia tristeza de raíces.

Allí quedó mirando nuestras vidas abiertas,
el ir y ser y andar y volver por la tierra,
el día destiñendo sus pétalos graduales.
Vigilaba sin vernos la niña de madera.

La niña coronada por las antiguas olas,
allí miraba con sus ojos derrotados:
sabia que vivemos en una red remota

de tiempo y aqua y ollas y sonidos y Lluvia,
sin saber si existimos o si somos su sueño.
Está de la historia de la muchacha de madera.